Interview: Rachel Eliza Griffiths and Deborah Kalb by Rachel Griffiths

Q: The poem "Myth" looks at the murders of African Americans, including Michael Brown, killed by police in Ferguson, Missouri, in 2014. What impact do you think the recent protests following George Floyd's death will have?

REG: We’re at the beginning of a vision that will take some time to manifest or to qualify in any comprehensive way. It can’t happen by the force of one group and it can’t surrender to the use of force, or brutalization, of any kind.

This is a beginning, but it is not the beginning. It’s part of a larger formation and resistance that came before us and will go on to whatever future freedom we are willing to fight for. Justice can’t exist in isolation and oppression. This is true for Freedom as well.

We’re standing on the shoulders of those whose believed and acted, according to their beliefs, in a world where Black Lives would be wholly free, where black people would not have to argue about our dignity or our basic humanity.

There are so many spaces where “protest” is happening at every level. It’s important to concentrate on the myriad of ways, macro and micro, at which Black Lives have been, and are, always-ever at stake so that other races can have their identities. It’s sad and enraging that this has been the requirement for much of human civilization.

https://deborahkalbbooks.blogspot.com/2020/07/q-with-rachel-eliza-griffiths.html

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SEEING THE BODY VIRTUAL TOUR INFO | JULY 2020 by Rachel Griffiths

JULY 14 | 7 pm EDT Stella Adler 2020 Poet-in-Residence Reading* | email: joanne@stellaadler.com

JULY 23 | 7 pm EDT Brooklyn Poets with Xandria Phillips & Donika Kelly*

Register via Zoom Link: https://brooklynpoets.org/events/reading-series/

JULY 25 | 2 pm EDT New York Public Library with Bianca Stone & Gabriel Don | Register: https://www.nypl.org/events/programs/2020/07/25/online-poetry-discussion

JULY 26 | 4pm PDT Roar Shack Series with David Rocklin, Laura Warrell, Lynne Thompsen, Regi Gibson, & CHris Terry | Zoom link for show: https://www.facebook.com/events/s/roar-shack-goes-virtual-again-/957708354667969/

*Event Requires Registration. Email or Visit Link

Seeing the Body | 'Briefly Noted' in The New Yorker! (July 2020) by Rachel Griffiths

Seeing the Body, by Rachel Eliza Griffiths (Norton). A daughter mourns her mother’s death in this collection of poems, excavating her personal loss amid the wider traumas of racism and misogyny. “Behind my eyes / a dead woman looks back at me with no trace / of recognition,” she writes. Griffiths, who is also a visual artist, includes a series of anguished photographic self-portraits, and she is fascinated with the power of images to document and distort. In her elegiac, enraged poems, the injustices suffered by women and black people find an echo in the cosmic injustice of mortality. Ultimately, the work draws lyrical intensity from its resistance to oblivion and its insistence, despite despair, on life.

Published in the print edition of the July 6 & 13, 2020, issue of The New Yorker

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Ron Slate reviews Seeing the Body at On the Sea Wall by Rachel Griffiths

“And most of all, the delivery is eloquent. Denis Donoghue has said, “Eloquence does not represent the real, it replaces it with its own voice … It is the charisma of speech, claiming to transcend the properties of law, custom, and reference: an inspired grace, a favor, like the gift of tongues.” The voice replaces its circumstances with itself — and becomes the body we are forced to recognize. The boldness of Griffiths’ presence at times may lead one to forget how much terror and how many “properties of law, custom, and reference” are being transcended. But she will remind you.” - Ron Slate (Host and Editor of On the Seawall)

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Poem As a Friend: Joy Harjo's "Remember" by Rachel Griffiths

https://soundcloud.com/the-poetry-exchange/remember-by-joy-harjo-poem-as-friend-to-rachel-eliza-griffiths

In this episode, Rachel Eliza Griffiths talks about the poem that has been a friend to her – Remember by Joy Harjo.

Rachel Eliza visited The Poetry Exchange 'long distance' in an online conversation between London and New York. She is in conversation with The Poetry Exchange team members, Michael Shaeffer and Fiona Bennett.

We are very grateful to Rachel Eliza for allowing us to share the conversation with you, and to Joy Harjo and W. W. Norton & Company, Inc. for their permission to feature 'Remember.'

'Remember' can be found in She Had Some Horses: Poems by Joy Harjo, 2008, W. W. Norton & Company, Inc. www.wwnorton.co.uk/books/978039333…had-some-horses

Rachel Eliza Griffiths is a multi-media artist, poet, and writer.

Her literary and visual work has been widely published in journals, magazines, anthologies, and periodicals including The New Yorker, The Paris Review, The New York Times, Poets & Writers, Black Nature: Four Centuries of African American Nature Poetry, Best American Poetry 2020, and many others.

Griffiths is widely known for her literary portraits, fine art photography, and lyric videos. Her extensive video project, P.O.P (Poets on Poetry), an intimate series of micro-interviews, gathers nearly 100 contemporary poets in conversation, and is featured online by the Academy of American Poets.

Griffiths is the author of Miracle Arrhythmia (Willow Books 2010) and The Requited Distance (The Sheep Meadow Press 2011). Griffiths’ third collection of poetry, Mule & Pear (New Issues Poetry & Prose 2011), was selected for the 2012 Inaugural Poetry Award by the Black Caucus of the American Library Association. Her most recent full-length poetry collection is Lighting the Shadow (Four Way Books 2015), which was a finalist for the 2015 Balcones Poetry Prize and the 2016 Phillis Wheatley Book Award in Poetry.

Her forthcoming collection of poetry and photography, Seeing the Body, will be published by W. W. Norton in June 2020.

www.rachelelizagriffiths.com

Remember is read by Fiona Bennett.

*********

Remember
by Joy Harjo

Remember the sky that you were born under,
know each of the star's stories.
Remember the moon, know who she is.
Remember the sun's birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother's, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.

'Remember' reproduced from She Had Some Horses: Poems by Joy Harjo (c) 2008 by Joy Harjo. Used with permission of W. W. Norton & Company, Inc. All rights reserved.

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Four Way Review: Interview with Rachel Eliza Griffiths by Rachel Griffiths

“There isn’t enough canvas, enough pigment, enough bones in this country for black artists to address the violence and harm done to our bodies, our communities, by the imaginations or institutions that can’t bear for us to live. It isn’t our job or our art’s job to do that work either. Why is America afraid that we dare to imagine ourselves as anything but dead? “ — Rachel Eliza Griffiths (Interviewed by Four Way Review’s Editor Brynn Downing

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